Skip to content
  • Categories
  • Recent
  • Tags
  • Popular
  • World
  • Users
  • Groups
Skins
  • Light
  • Brite
  • Cerulean
  • Cosmo
  • Flatly
  • Journal
  • Litera
  • Lumen
  • Lux
  • Materia
  • Minty
  • Morph
  • Pulse
  • Sandstone
  • Simplex
  • Sketchy
  • Spacelab
  • United
  • Yeti
  • Zephyr
  • Dark
  • Cyborg
  • Darkly
  • Quartz
  • Slate
  • Solar
  • Superhero
  • Vapor

  • Default (Cyborg)
  • No Skin
Collapse
Brand Logo

CIRCLE WITH A DOT

  1. Home
  2. Uncategorized
  3. "Black music in Britain grew out of communities that were themselves marginalised, immigrant communities, working-class communities, communities outside traditional centres of power.

"Black music in Britain grew out of communities that were themselves marginalised, immigrant communities, working-class communities, communities outside traditional centres of power.

Scheduled Pinned Locked Moved Uncategorized
musicculturehistory
3 Posts 2 Posters 0 Views
  • Oldest to Newest
  • Newest to Oldest
  • Most Votes
Reply
  • Reply as topic
Log in to reply
This topic has been deleted. Only users with topic management privileges can see it.
  • stefan@stefanbohacek.onlineS This user is from outside of this forum
    stefan@stefanbohacek.onlineS This user is from outside of this forum
    stefan@stefanbohacek.online
    wrote last edited by
    #1

    "Black music in Britain grew out of communities that were themselves marginalised, immigrant communities, working-class communities, communities outside traditional centres of power.

    So, the industry was not built with these voices in mind and so communities had to kind of build their own ecosystem and when something is built outside of the system, the system often struggles to value it."

    Link Preview Image
    ‘Black music is not a subculture – it is the engine’: Why the Mobo awards matter more than ever, 30 years on

    Three decades after launching the awards, founder Kanya King reflects on being ahead of the crowd and why Mobo has always been more than music

    favicon

    the Guardian (www.theguardian.com)

    #music #culture #history

    gjd@garyday.meG 1 Reply Last reply
    1
    0
    • stefan@stefanbohacek.onlineS stefan@stefanbohacek.online

      "Black music in Britain grew out of communities that were themselves marginalised, immigrant communities, working-class communities, communities outside traditional centres of power.

      So, the industry was not built with these voices in mind and so communities had to kind of build their own ecosystem and when something is built outside of the system, the system often struggles to value it."

      Link Preview Image
      ‘Black music is not a subculture – it is the engine’: Why the Mobo awards matter more than ever, 30 years on

      Three decades after launching the awards, founder Kanya King reflects on being ahead of the crowd and why Mobo has always been more than music

      favicon

      the Guardian (www.theguardian.com)

      #music #culture #history

      gjd@garyday.meG This user is from outside of this forum
      gjd@garyday.meG This user is from outside of this forum
      gjd@garyday.me
      wrote last edited by
      #2

      @stefan

      This is a great documentary film about how the influence of the Windrush Generation and the first wave of their children essentially gave birth to this entire culture of reggae and home/street soundsystems that evolved into a rich, beautiful and thoroughly inextricable part of Modern British Culture. Interviews and archive stuff cut with dramatic sections especially filmed.

      Sadly, I was born twenty years too late!
      At least I can still buy the records.

      https://filmsandfestivals.britishcouncil.org/projects/rudeboy-the-story-of-trojan-records

      stefan@stefanbohacek.onlineS 1 Reply Last reply
      0
      • gjd@garyday.meG gjd@garyday.me

        @stefan

        This is a great documentary film about how the influence of the Windrush Generation and the first wave of their children essentially gave birth to this entire culture of reggae and home/street soundsystems that evolved into a rich, beautiful and thoroughly inextricable part of Modern British Culture. Interviews and archive stuff cut with dramatic sections especially filmed.

        Sadly, I was born twenty years too late!
        At least I can still buy the records.

        https://filmsandfestivals.britishcouncil.org/projects/rudeboy-the-story-of-trojan-records

        stefan@stefanbohacek.onlineS This user is from outside of this forum
        stefan@stefanbohacek.onlineS This user is from outside of this forum
        stefan@stefanbohacek.online
        wrote last edited by
        #3

        @gjd Thank you, I'll check this out!

        1 Reply Last reply
        0
        • R relay@relay.infosec.exchange shared this topic
        Reply
        • Reply as topic
        Log in to reply
        • Oldest to Newest
        • Newest to Oldest
        • Most Votes


        • Login

        • Login or register to search.
        • First post
          Last post
        0
        • Categories
        • Recent
        • Tags
        • Popular
        • World
        • Users
        • Groups