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  3. Tell me some thing blasphemous and/or sacrilegious

Tell me some thing blasphemous and/or sacrilegious

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  • matthewskelton@mastodon.socialM matthewskelton@mastodon.social

    @Theosoreass @AccordionBruce @catsalad noone would believe that the hurdy gurdy was a real instrument 🤣

    accordionbruce@mastodon.socialA This user is from outside of this forum
    accordionbruce@mastodon.socialA This user is from outside of this forum
    accordionbruce@mastodon.social
    wrote last edited by
    #68

    @matthewskelton @Theosoreass @catsalad
    They gave Spencer Tracy a Hurdy Gurdy in Captains Courageous

    Which is funny, because Kipling features an #accordion in the book, set contemporaneous to its 1897 publication

    We can guess the era because the rich kid’s dad is a railway magnate and steams over to pick him up
    https://youtu.be/sXDasPDVJWM

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    • boredomfestival@sfba.socialB boredomfestival@sfba.social

      @AccordionBruce @catsalad Neal Stephenson made a similar mistake in the Baroque Cycle: a character is killed by being stabbed with the endpin of a cello. Aside from the fact that this wouldn't be very effective structurally (the endpin is not robustly attached), the endpin didn't *exist* before the mid1800s (prior to that, the cello was held tightly between the legs, as the viola da gamba is today). A musician friend of mine wrote to Stephenson about this, (politely) pointing out the error. He told me that he received a reply, which read: "AAAARGH!"

      accordionbruce@mastodon.socialA This user is from outside of this forum
      accordionbruce@mastodon.socialA This user is from outside of this forum
      accordionbruce@mastodon.social
      wrote last edited by
      #69

      @BoredomFestival @catsalad
      There was lively chatter on message boards when the young adult novel series about Mary “Jacky” Faber featured her playing a little Accordion

      They start in 1801 which puts them before the 1829 development of the first accordions

      It wasn’t featured much after that until the very last book (published 14 years later, two years after the author died) when she played it again, almost as if he was tossing one to all of the people who complained 🪗 😂
      https://en.wikipedia.org/wiki/Bloody_Jack_(novel)

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      • accordionbruce@mastodon.socialA accordionbruce@mastodon.social

        @ProcessParsnip @catsalad
        It’s featured near the beginning of my #AccordionRevolution book

        Link Preview Image
        processparsnip@mastodon.ieP This user is from outside of this forum
        processparsnip@mastodon.ieP This user is from outside of this forum
        processparsnip@mastodon.ie
        wrote last edited by
        #70

        @AccordionBruce

        there truly are experts in every single thing on Mastodon (not sarcastic).

        @catsalad

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        • sellathechemist@mastodon.socialS sellathechemist@mastodon.social

          @AccordionBruce @catsalad The accordion displaced the bagpipes (in their many variants) across Europe, pushing them to the margins - mountain valleys (Appenines, Pyrenees) on the mainland or islands (Sardinia, Ireland. Scotland).

          accordionbruce@mastodon.socialA This user is from outside of this forum
          accordionbruce@mastodon.socialA This user is from outside of this forum
          accordionbruce@mastodon.social
          wrote last edited by
          #71

          @sellathechemist @catsalad
          Alan Lomax went to Europe in the 1950s to escape the McCarthy era

          And he seems to have come back with a deep hatred of the Accordion

          He called it a “pestiferous instrument”

          And seemed to apply a generic filter based on the fact that it had chased around fiddle and bagpipe traditions in many parts of Europe

          Not unearned. But not helpful

          antares@musician.socialA sellathechemist@mastodon.socialS 3 Replies Last reply
          0
          • davidr@hachyderm.ioD davidr@hachyderm.io

            @AccordionBruce @catsalad I thought the things pirates don't play were concertinas.

            accordionbruce@mastodon.socialA This user is from outside of this forum
            accordionbruce@mastodon.socialA This user is from outside of this forum
            accordionbruce@mastodon.social
            wrote last edited by
            #72

            @davidr @catsalad
            See https://mastodon.social/@AccordionBruce/116354735008561385
            ❤️‍🔥🪗 🏴‍☠️

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            • accordionbruce@mastodon.socialA accordionbruce@mastodon.social

              @Owlor @catsalad
              There’s a cool video history series on YouTube by a fantastic player though

              accordionbruce@mastodon.socialA This user is from outside of this forum
              accordionbruce@mastodon.socialA This user is from outside of this forum
              accordionbruce@mastodon.social
              wrote last edited by
              #73

              @Owlor @catsalad
              The origin-stories of traditions are some of my favourite things

              Like ~every~ tradition has to have been started by real live people just sitting around one day

              The accordion is particularly interesting because it gained real global popularity after the 1860s or so

              And recording started in the 1890s

              So we have records of people who might have known the very first players of some “traditional” styles

              accordionbruce@mastodon.socialA 1 Reply Last reply
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              • accordionbruce@mastodon.socialA accordionbruce@mastodon.social

                @sellathechemist @catsalad
                Alan Lomax went to Europe in the 1950s to escape the McCarthy era

                And he seems to have come back with a deep hatred of the Accordion

                He called it a “pestiferous instrument”

                And seemed to apply a generic filter based on the fact that it had chased around fiddle and bagpipe traditions in many parts of Europe

                Not unearned. But not helpful

                antares@musician.socialA This user is from outside of this forum
                antares@musician.socialA This user is from outside of this forum
                antares@musician.social
                wrote last edited by
                #74

                @AccordionBruce @sellathechemist @catsalad so that was after he recorded Lead Belly playing it ?

                accordionbruce@mastodon.socialA 1 Reply Last reply
                0
                • accordionbruce@mastodon.socialA accordionbruce@mastodon.social

                  @Owlor @catsalad
                  The origin-stories of traditions are some of my favourite things

                  Like ~every~ tradition has to have been started by real live people just sitting around one day

                  The accordion is particularly interesting because it gained real global popularity after the 1860s or so

                  And recording started in the 1890s

                  So we have records of people who might have known the very first players of some “traditional” styles

                  accordionbruce@mastodon.socialA This user is from outside of this forum
                  accordionbruce@mastodon.socialA This user is from outside of this forum
                  accordionbruce@mastodon.social
                  wrote last edited by
                  #75

                  @Owlor @catsalad
                  Folk glorious of the 1800s and early 1900s hated the squeezeboxes

                  So they never talked about them or recorded them or interviewed any of the players

                  So folklorists can’t do something similar to a comparative analysis of today’s research on the impact of the boombox 100 years later

                  Mostly it makes you conscious of the question of the historical origins of “authenticity” and how it was used as a sales-pitch, or simply nostalgic amnesia

                  accordionbruce@mastodon.socialA 1 Reply Last reply
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                  • accordionbruce@mastodon.socialA accordionbruce@mastodon.social

                    @Owlor @catsalad
                    Folk glorious of the 1800s and early 1900s hated the squeezeboxes

                    So they never talked about them or recorded them or interviewed any of the players

                    So folklorists can’t do something similar to a comparative analysis of today’s research on the impact of the boombox 100 years later

                    Mostly it makes you conscious of the question of the historical origins of “authenticity” and how it was used as a sales-pitch, or simply nostalgic amnesia

                    accordionbruce@mastodon.socialA This user is from outside of this forum
                    accordionbruce@mastodon.socialA This user is from outside of this forum
                    accordionbruce@mastodon.social
                    wrote last edited by
                    #76

                    @Owlor @catsalad
                    So when I learned Bill Monroe invented #Bluegrass at the same time be-boppers invented modern #jazz… 🎷 🪕

                    But one music still projects as “modern” while the other has an aura that’s more and more antique and folkloric

                    Monroe’s mom played #accordion and was a really good fiddle player, and as far as I can tell, no interviewer ever asked him about that 😠

                    (The key question? “What kind? And what repertoire?” Because a button accordion would’ve indicated an older tradition)

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                    • jeanniewarner@wandering.shopJ jeanniewarner@wandering.shop

                      @Cadbury_Moose @davidr @AccordionBruce @catsalad Thought you might enjoy reading about the Chinese one from an earlier millennium. 🙂

                      accordionbruce@mastodon.socialA This user is from outside of this forum
                      accordionbruce@mastodon.socialA This user is from outside of this forum
                      accordionbruce@mastodon.social
                      wrote last edited by
                      #77

                      @Jeanniewarner @Cadbury_Moose @davidr @catsalad
                      You’re right!

                      Outside my areas but seems like the great Pirate Queen Zheng Yi Sao might have had South East Asian free reeds (variants inspired early accordions) onboard

                      And they would likely/definitely have been around on shore

                      Now that’s a story to be told! 🪗 🏴‍☠️ 🐉
                      https://en.wikipedia.org/wiki/Zheng_Yi_Sao

                      accordionbruce@mastodon.socialA 1 Reply Last reply
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                      • accordionbruce@mastodon.socialA accordionbruce@mastodon.social

                        @Jeanniewarner @Cadbury_Moose @davidr @catsalad
                        You’re right!

                        Outside my areas but seems like the great Pirate Queen Zheng Yi Sao might have had South East Asian free reeds (variants inspired early accordions) onboard

                        And they would likely/definitely have been around on shore

                        Now that’s a story to be told! 🪗 🏴‍☠️ 🐉
                        https://en.wikipedia.org/wiki/Zheng_Yi_Sao

                        accordionbruce@mastodon.socialA This user is from outside of this forum
                        accordionbruce@mastodon.socialA This user is from outside of this forum
                        accordionbruce@mastodon.social
                        wrote last edited by
                        #78

                        @Jeanniewarner @Cadbury_Moose @davidr @catsalad
                        We were just talking about the Chinese sheng, mouth organ last week
                        https://mastodon.social/@AccordionBruce/116340900565911951

                        Where I linked to an article but didn’t include the author’s name (making it hard to search up)

                        How the sheng became a harp,
                        by the very cool 😎
                        Carmel Raz

                        Sound Studies
                        An Interdisciplinary Journal
                        Volume 6, 2020 - Issue 2: Special Issue: Sonic Things: Knowledge Formation in Flux
                        https://doi.org/10.1080/20551940.2020.1794648

                        Title refers to the harmonica mouth-harp not 🪉

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                        • catsalad@infosec.exchangeC catsalad@infosec.exchange

                          Tell me some thing blasphemous and/or sacrilegious

                          cleefhanger@mastodon.artC This user is from outside of this forum
                          cleefhanger@mastodon.artC This user is from outside of this forum
                          cleefhanger@mastodon.art
                          wrote last edited by
                          #79

                          @catsalad since Mary birthed Jesus through partenogenesis, Jesus was probably a semi clone of Mary, wich means Jesus was either intersex or a woman or a quimera.

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                          • antares@musician.socialA antares@musician.social

                            @AccordionBruce @sellathechemist @catsalad so that was after he recorded Lead Belly playing it ?

                            accordionbruce@mastodon.socialA This user is from outside of this forum
                            accordionbruce@mastodon.socialA This user is from outside of this forum
                            accordionbruce@mastodon.social
                            wrote last edited by
                            #80

                            @antares @sellathechemist @catsalad
                            There’s people who study just Lead Belly and I’m no expert

                            But I think Lead Belly’s only five known “windjammer” 🪗 recordings were made late in his life in the 40s by Mos Asch

                            They’re all on this set
                            https://folkways.si.edu/leadbelly

                            Not sure he owned an accordion when Alan Lomax knew him

                            He’d picked one up again, maybe in nostalgia for the instrument he learned first back in 1909

                            Or because he thought it would sell records? Who knows? Nobody asked 😠

                            accordionbruce@mastodon.socialA 1 Reply Last reply
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                            • catsalad@infosec.exchangeC catsalad@infosec.exchange

                              Tell me some thing blasphemous and/or sacrilegious

                              weezmgk@mastodon.socialW This user is from outside of this forum
                              weezmgk@mastodon.socialW This user is from outside of this forum
                              weezmgk@mastodon.social
                              wrote last edited by
                              #81

                              @catsalad Oh my dear Catsy, we found the christofascist AND homophobic mastodon.social moderator. I can't thank you enough! https://mastodon.social/@weezmgk/116356708412830751

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                              • accordionbruce@mastodon.socialA accordionbruce@mastodon.social

                                @antares @sellathechemist @catsalad
                                There’s people who study just Lead Belly and I’m no expert

                                But I think Lead Belly’s only five known “windjammer” 🪗 recordings were made late in his life in the 40s by Mos Asch

                                They’re all on this set
                                https://folkways.si.edu/leadbelly

                                Not sure he owned an accordion when Alan Lomax knew him

                                He’d picked one up again, maybe in nostalgia for the instrument he learned first back in 1909

                                Or because he thought it would sell records? Who knows? Nobody asked 😠

                                accordionbruce@mastodon.socialA This user is from outside of this forum
                                accordionbruce@mastodon.socialA This user is from outside of this forum
                                accordionbruce@mastodon.social
                                wrote last edited by
                                #82

                                @antares @sellathechemist @catsalad
                                Ironically all the folklorists wanted to hear was his Mexican 12 string guitar, which wasn’t traditional at all

                                They never asked about his little “windjammer” button accordion

                                Or the Black square-dance tradition it was played for that dated back to before the Civil War

                                And that his accordion style predated his 12 string guitar, and blues guitar in general

                                But nobody knew or thought to ask 🤷🏽‍♀️

                                antares@musician.socialA 1 Reply Last reply
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                                • accordionbruce@mastodon.socialA accordionbruce@mastodon.social

                                  @sellathechemist @catsalad
                                  Alan Lomax went to Europe in the 1950s to escape the McCarthy era

                                  And he seems to have come back with a deep hatred of the Accordion

                                  He called it a “pestiferous instrument”

                                  And seemed to apply a generic filter based on the fact that it had chased around fiddle and bagpipe traditions in many parts of Europe

                                  Not unearned. But not helpful

                                  sellathechemist@mastodon.socialS This user is from outside of this forum
                                  sellathechemist@mastodon.socialS This user is from outside of this forum
                                  sellathechemist@mastodon.social
                                  wrote last edited by
                                  #83

                                  @AccordionBruce @catsalad I loathed the accordion thanks to my parents. And then I discovered Astor Piazzolla’s writing for the bandoneon after buying a very cheap second hand CD of Gideon Kremer’s virtuoso band iut of curiosity. I was hooked. Then I found a cheap box set of all of Piazzolla playing/conducting. Libertango is just the tip of the iceberg.

                                  accordionbruce@mastodon.socialA 1 Reply Last reply
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                                  • accordionbruce@mastodon.socialA accordionbruce@mastodon.social

                                    @sellathechemist @catsalad
                                    Alan Lomax went to Europe in the 1950s to escape the McCarthy era

                                    And he seems to have come back with a deep hatred of the Accordion

                                    He called it a “pestiferous instrument”

                                    And seemed to apply a generic filter based on the fact that it had chased around fiddle and bagpipe traditions in many parts of Europe

                                    Not unearned. But not helpful

                                    sellathechemist@mastodon.socialS This user is from outside of this forum
                                    sellathechemist@mastodon.socialS This user is from outside of this forum
                                    sellathechemist@mastodon.social
                                    wrote last edited by
                                    #84

                                    @AccordionBruce @catsalad By the way, where is the Alan Lomax archive? A producer friend introduced me to it when we were Hutu g for music for a radio programme…

                                    accordionbruce@mastodon.socialA 1 Reply Last reply
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                                    • puppygirlhornypost2@transfem.socialP puppygirlhornypost2@transfem.social

                                      @catsalad@infosec.exchange this is what being lesbian is like

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                                      contrapunctus@fe.disroot.orgC This user is from outside of this forum
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                                      contrapunctus@fe.disroot.org
                                      wrote last edited by
                                      #85

                                      @puppygirlhornypost2@transfem.social

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                                      • weezmgk@mastodon.socialW This user is from outside of this forum
                                        weezmgk@mastodon.socialW This user is from outside of this forum
                                        weezmgk@mastodon.social
                                        wrote last edited by
                                        #86

                                        @jpm So why didn't your poke at islam get a mastodon.social content strike but my swipe at chrstianity did? (see edit history on mine) https://mastodon.social/@weezmgk/116351355295067417@catsalad@infosec.exchange

                                        weezmgk@mastodon.socialW 1 Reply Last reply
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                                        • weezmgk@mastodon.socialW weezmgk@mastodon.social

                                          @jpm So why didn't your poke at islam get a mastodon.social content strike but my swipe at chrstianity did? (see edit history on mine) https://mastodon.social/@weezmgk/116351355295067417@catsalad@infosec.exchange

                                          weezmgk@mastodon.socialW This user is from outside of this forum
                                          weezmgk@mastodon.socialW This user is from outside of this forum
                                          weezmgk@mastodon.social
                                          wrote last edited by
                                          #87

                                          @jpm cf https://mastodon.social/@weezmgk/116356708412830751

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