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@kr3st3n mega fedt du har lavet det Kresten!
Som andre siger er mange af teksterne svære at forstå, men jeg er enig med dig i, at det er svært at forenkle uden også at fortolke. I den bedste af alle verdener, sad der en gruppe med forstand på politik og lavede et lille “det de egentlig stemte om var…” - men jeg synes allerede det er et tiltrængt hack af test-systemet.
Jeg er fan!
@elifyalvac last year, for the first time, a version of her Opera Kong Roars Skjalde was performed.
This opera took her 30 years to write, and more than a 100 years before someone found it suitable for concert.
I have so much respect for the trust she had in her work, and it has really inspired me, to start making an archive of my own (not that I presume someone will do an opera 100 years from now, that I write during the next 30 years).
Ny opera komponeret af Josefine Opsahl undersøger kærlighedens væsen og den klassiske opera med afsæt i myten om Ekko og Narcissus.
Copenhagen Opera Festival (www.operafestival.dk)
@elifyalvac what really made me think of this, was the story of danish composer Tekla Griebel Wandall: https://en.wikipedia.org/wiki/Tekla_Griebel-Wandall
She had some acceptance when she lived (late 1800th start 1900th hundred), but not in anyway to the extent she should been have given. Luckily for us today, she knew this, and during her life she collected letters, articles, reviews, sheetpaper, released music and more, and saved it all in a box, for when people would remember her - and wanted to read about her work.
@elifyalvac When I look back on my career, the releases I have made, has become highlights of the periods it's released in. And I have periods where I wouldn't release anything, because why should I when it wouldn't sell. But I sooo regret.
You can release for others as a DIY artist, but you should actually mostly do it for yourself. Making a release means taking decisions: Where am I now, what's important for me and how would I like to share it. It's the best way to remember your development.
@elifyalvac this is what I’m here for! Awesome machine!
I'm ready to start working on my next #LinuxAudio blog post, but what should it be about?
I have been spending some time making a lot of Windows Audio Plugins work on my Linux laptop, running CachyOS.
It took some time finding the approach giving me the most stable solution, without needing too much setup. To me the answer was wine-cachyos and Yabridge.
I have tried to collect all my notes and experiences in a blogpost, in case others are searching for a solution.
Here it is: https://mortenmosgaard.dk/run-windows-plugins-on-linux-using-yabridge/
(Resharing from the other night)
I was thinking of which software I actually used to make music though the years, so here is a chronological list:
- Wavelab (One track, overdub)
- Fruity loops
- Dance- and HipHop Ejay
- Cubase
- Logic Pro
- Studio One
- Ableton Live
- Bitwig
What’s your journey?
@peteorrall you are always welcome to reach out if you have any questions.
My setup is described here:
For Focusrite, check out Sessionmixer by @fortifieduniverse: https://github.com/michaelquigley/sessionmixer
I'm writing a guide about how I use Yabridge on CachyOS Linux. I have written somewhere in my notes that I need Winetricks and then run 'winetricks corefonts' in the terminal after installing.
I am not completely sure if this is relevant today, do you happen to know?
Dem der har bygget vores sommerhus, har virkelig lavet en genistreg i viktualierummet: Hylder til sodavands- og ølkasser PÅ SKINDER så de kan trækkes ud!
Jeg ved til gengæld ikke helt om jeg vil kalde de der klassisk "bordel-røde" natlamper i stuen over hver værelsesdør en genistreg. Men særligt er det i hvert fald.
