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CIRCLE WITH A DOT

dgriffinjones@tech.lgbtD

dgriffinjones@tech.lgbt

@dgriffinjones@tech.lgbt
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  • I know 100% that people will argue with me over this, but I miss when movies were professionally lit, when actors were intentionally blocked, and when more than teal, orange and beige were allowed to be on the screen.
    dgriffinjones@tech.lgbtD dgriffinjones@tech.lgbt

    @Gargron A big change I don’t see other replies mentioning — LED lighting. Sets had to be more intentional with lighting because every extra light would make the set like 10° hotter.

    So sets had fewer lights, making the bright areas brighter and dark areas darker in a more realistic way, and the actors sweating in the hot set made everything feel more tangible.

    Now that you can throw big LED light panels around literally every corner and not worry about power or heat, everything looks perfect and flat.

    Maybe another contributing factor in post-production is the LOG digital format. Nothing is ever lost. Shadows and highlights can always be crushed down. No film grain.

    Uncategorized

  • Hi. Please play this amazing JND color game my friend Keith made and see how good you/your displays are at differentiating between similar colors.
    dgriffinjones@tech.lgbtD dgriffinjones@tech.lgbt

    @film_girl 💁

    Uncategorized

  • Back at it
    dgriffinjones@tech.lgbtD dgriffinjones@tech.lgbt

    @stroughtonsmith Fair enough!

    Uncategorized

  • Back at it
    dgriffinjones@tech.lgbtD dgriffinjones@tech.lgbt

    @stroughtonsmith Say, could you make a benchmarking mode in it? I’d love to be able to speed test ML and graphics performance between my M2 Pro Mac mini against the MacBook Neo next week 👀

    Uncategorized

  • In most Mac apps, `CTRL-T` swaps the characters on either side of the cursor location.
    dgriffinjones@tech.lgbtD dgriffinjones@tech.lgbt

    @hotdogsladies WHA?T

    Uncategorized doingbettertoge
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