🧵 cont.

[tsrono@mastodon.social]

@dequalsrxt i can't take any credit really...INNERSPACE Prod that released it is a sublabel of 1834 which i released an album with some years ago, so i'm signed up on the mailing lists & all.

some nice stuff on both, well worth checking out if you've not yet.

Internet Archive: Digital Library of Free & Borrowable Texts, Movies, Music & Wayback Machine

(archive.org)

[tsrono@mastodon.social]

#nowplaying

Trash Panda QC - blob rave 01: 21-2 / duskfoam2

twisting & growling but centered by those straight rhythmics.

blob rave 01: 21-2 / duskfoam2, by Trash Panda QC

blob rave 01: 21-2 / duskfoam2 by Trash Panda QC, released 02 April 2026 1. 21-2 2. duskfoam2

Trash Panda QC (yplu.bandcamp.com)

[tsrono@mastodon.social]

#nowplaying

Lime68k - debris 03

dark & deep within some machine

debris 03, by Lime68k

debris 03 by Lime68k, released 17 February 2026 1. li+ 2. glastcast 3. downlink 4. plasticity 5. dilemma cible 6. dilemma hover 7. tangled will 8. forged polarization another compilation loud qomputer edition

Lime68k (lime68k.bandcamp.com)

[tsrono@mastodon.social]

#nowplaying

Lawrence English - A Colour for Autumn

1st listen, this just got announced a few hours ago...1st track is nice & not dark exactly but...there's space for something deep in there. we'll see how the rest of it goes.

A Colour For Autumn, by Lawrence English

A Colour For Autumn by Lawrence English, released 17 March 2009 1. Droplet 2. Watching It Unfold 3. The Prelude To 4. The Surface Of Everything 5. Galaxies Of Dust 6. Stillness In Motion 7. And Clouds For Company A Colour For Autumn is the second in a series of editions from Australian sound artist Lawrence English that trace the experience of seasonal transit. Following on from For Varying Degrees of Winter (published by Baskaru), A Colour For Autumn reflects on and explores the transitory nature of Autumn - counterpointing the uniformity of the ‘term’ with the varied qualities expressed by landscapes in different countries. Like all environmental phenomena, seasonal variation is highly localised, and expressed not only visually through vegetation etc, but also sonically as insect life, leaves under foot and fauna all change in response to the climatic shifts. Northern and southern hemisphere experiences of Autumn are strikingly different and it’s also this contrast which rests at the very centre of A Colour For Autumn. Recorded between 2007-2009, this series of pieces acts almost as small auditory portraits of given spaces in the often gentle throes of Autumn - ‘Droplet’ for example features field recordings gathered in Notre-Dame De La Garde in Marseilles, capturing the infamous ‘Mistral’ wind as it blows the first cooler breezes of Autumn into the city in 2007. By contrast ‘Watching It Unfold’ measures a more Australian experience of Autumn - a series of open static phrases, shifting ever so slightly - a reflection of the slow changes of the season around English’s home of Brisbane. Working with a range of analog approaches, A Colour For Autumn is a tonally rich affair, sourcing much of it’s sounds from a mixture of instruments, field recordings and assorted electronics. A Colour For Autumn also features contributions from New Zealand’s Dean Roberts (whose vocals adorn the opening moments of the album) and Viennese musician Christian Fennesz, who offers intricate clusters of electronics in ‘The Surface Of Everything’. This is an album of subtle variation, graded hues and tonal warmth, all of which act as an invitation for the listener to consider their own localised transition of Autumn.

Lawrence English (lawrenceenglish.bandcamp.com)

[tsrono@mastodon.social]

#nowplaying

Autechre - AE_LIVE_LONDON_071022_B

been a while since i gave this one a spin, really enjoying the stretchy first half of it. very amorphous in ways but there's some clear design & musculature in there.

Autechre - AE_2022－. AE_STORE.

Buy AE_2022－ by Autechre on AE_STORE.

AE_STORE (autechre.warp.net)

[funcgen@mastodon.social]

@tsrono that one gets so many plays. Really solid jam.

[tsrono@mastodon.social]

@funcgen i think i hadn't given it many listens before, i remember not connecting with that first half much until it got to that Dial.-like section but i was feeling it from to back this time. definitely going to revisit more now.

[tsrono@mastodon.social]

#nowplaying

Prefuse 73 - Everything She Touched Turned Ampexian

stellar album here. never ceases to get my head nodding.

[chorist@merveilles.town]

@tsrono Haven’t listened to that one in a bit, but I remember it feeling like quite a big, beautiful sonic world he made there.

[tsrono@mastodon.social]

@chorist i revisit it at least every year, it's always a good listen. very big in a lot of ways, very good front to back.