Laibach’s New Song: "Allgorhythm" (feat.
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Laibach’s New Song: "Allgorhythm" (feat. Wiyaala)
For those unfamiliar with Laibach: they are not just a band, but an avant-garde art collective founded in 1980s Yugoslavia. From the start, they stormed through the Eastern Bloc’s art scene like a bulldozer, leaving authorities baffled and ultimately forcing them into exile. Laibach relocated to the UK, where they continued their provocative work.
Their music is layered with irony, reverse psychology, and biting sarcasm—never designed to be "nice" or easy listening. A recurring theme in their art is totalitarianism, and their new song, "Allgorhythm," seems to explore this very idea. Laibach has previously dissected totalitarianism from both the left and right, as well as religion, with their legendary trolling of North Korea standing out as a masterclass in subversion. Somehow, they secured an invitation to perform there as the first Western band ever—and made the most of it.
This new track is a clear critique of social media. It samples viral videos, and the title and lyrics expose how we’ve all become slaves to algorithms—a modern form of totalitarianism. I can’t wait for their new album.- YouTube
Auf YouTube findest du die angesagtesten Videos und Tracks. Außerdem kannst du eigene Inhalte hochladen und mit Freunden oder gleich der ganzen Welt teilen.
(www.youtube.com)
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Laibach’s New Song: "Allgorhythm" (feat. Wiyaala)
For those unfamiliar with Laibach: they are not just a band, but an avant-garde art collective founded in 1980s Yugoslavia. From the start, they stormed through the Eastern Bloc’s art scene like a bulldozer, leaving authorities baffled and ultimately forcing them into exile. Laibach relocated to the UK, where they continued their provocative work.
Their music is layered with irony, reverse psychology, and biting sarcasm—never designed to be "nice" or easy listening. A recurring theme in their art is totalitarianism, and their new song, "Allgorhythm," seems to explore this very idea. Laibach has previously dissected totalitarianism from both the left and right, as well as religion, with their legendary trolling of North Korea standing out as a masterclass in subversion. Somehow, they secured an invitation to perform there as the first Western band ever—and made the most of it.
This new track is a clear critique of social media. It samples viral videos, and the title and lyrics expose how we’ve all become slaves to algorithms—a modern form of totalitarianism. I can’t wait for their new album.- YouTube
Auf YouTube findest du die angesagtesten Videos und Tracks. Außerdem kannst du eigene Inhalte hochladen und mit Freunden oder gleich der ganzen Welt teilen.
(www.youtube.com)
I have to admit, I never heard of Wiyaala before and I am upset about it. Sounds like a great artists and activist!
Here is what I googled so far:
Who Is Wiyaala?
Wiyaala is one of Ghana’s most distinctive and versatile artists—a singer, songwriter, and activist known for her powerful voice, androgynous stage presence, and fearless advocacy for social justice.
Name: Noella Wiyaala (her stage name means "the doer" in the Sissala language).
Background: Born on December 22, 1986, in Funsi, a small community in Ghana’s Upper West Region. Raised in a patriarchal society, she defied norms thanks to her musical mother, avoiding female genital mutilation (FGM) and child
Musical Journey: From Local Bars to Global Stages
Early Start: Wiyaala began performing in local bars in Tamale as a child, earning her first income as an artist. After school, she joined the music scene in Wa, centered around Echo Soundz Recording.
Breakthrough: In 2012, she won Ghana’s Vodafone Icons music reality show, launching her solo career. Her 2013 hit "Rock My Body" won two All Africa Music Awards (AFRIMA) and featured Ghana’s first underwater music video.
Global Recognition: Discovered by BBC’s Rita Ray in 2014, Wiyaala has since performed at the Commonwealth Games, for US Vice President Kamala Harris, and at festivals worldwide. Her 2014 FIFA World Cup song "Go Go Black Stars" was the first Ghanaian track to chart on Billboard since the 1970.Musical Style & Themes
Languages: Sings in Sissala, Waale, and English, blending Afro-pop, Highlife, and traditional Ghanaian sounds.
Themes: Empowerment, social justice, love, and resistance. She’s a vocal advocate against child marriage and gender inequality, drawing from personal.Activism & Advocacy
UNICEF Ambassador: Collaborates with UNICEF Ghana and the Ministry of Gender to combat child marriage, poverty, and promote health and education.
Cultural Ambassador: Promotes traditional Ghanaian music and dance through projects like IGNITE! Ghana, which integrates African culture into.Why Wiyaala Fits with Laibach
Her collaboration with Laibach on "Allgorhythm" is a natural fit: Both use music as a tool for provocation and resistance. While Laibach critiques totalitarianism and digital surveillance, Wiyaala brings an African perspective—challenging cultural and digital colonialism. Her voice adds a layer of defiance, whether against algorithms or social norms.
Key Facts & Trivia
Androgynous Image: Deliberately breaks gender stereotypes, a bold stance in Ghana’s conservative society.
Billboard Pioneer: First Ghanaian artist since the 1970s to chart on Billboardwiyaala.com.
Personal Life: Married since 2014, she continues to live in Ghana while maintaining a global career. -
Laibach’s New Song: "Allgorhythm" (feat. Wiyaala)
For those unfamiliar with Laibach: they are not just a band, but an avant-garde art collective founded in 1980s Yugoslavia. From the start, they stormed through the Eastern Bloc’s art scene like a bulldozer, leaving authorities baffled and ultimately forcing them into exile. Laibach relocated to the UK, where they continued their provocative work.
Their music is layered with irony, reverse psychology, and biting sarcasm—never designed to be "nice" or easy listening. A recurring theme in their art is totalitarianism, and their new song, "Allgorhythm," seems to explore this very idea. Laibach has previously dissected totalitarianism from both the left and right, as well as religion, with their legendary trolling of North Korea standing out as a masterclass in subversion. Somehow, they secured an invitation to perform there as the first Western band ever—and made the most of it.
This new track is a clear critique of social media. It samples viral videos, and the title and lyrics expose how we’ve all become slaves to algorithms—a modern form of totalitarianism. I can’t wait for their new album.- YouTube
Auf YouTube findest du die angesagtesten Videos und Tracks. Außerdem kannst du eigene Inhalte hochladen und mit Freunden oder gleich der ganzen Welt teilen.
(www.youtube.com)
I wasn't aware Laibach was still making new music. I'm mostly aware of their German translation of a Queen song to uncover its fascist vibe.
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R relay@relay.an.exchange shared this topic
