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CIRCLE WITH A DOT

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  3. I’m making a custom clay body for my upcoming workshop using #WildClay I collected just south of where I live, and combining it with a midrange commercial clay to give it the durability it lacks on its own.

I’m making a custom clay body for my upcoming workshop using #WildClay I collected just south of where I live, and combining it with a midrange commercial clay to give it the durability it lacks on its own.

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wildclay
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  • finalgirl@blackqueer.lifeF finalgirl@blackqueer.life

    @potterybyosa I still smile every time I see #WildClay now. You have no idea how healing that convo was for me. 🥰

    potterybyosa@mastodon.socialP This user is from outside of this forum
    potterybyosa@mastodon.socialP This user is from outside of this forum
    potterybyosa@mastodon.social
    wrote on last edited by
    #3

    @FinalGirl Did you ever receive the rocket kiln diagrams and firing schedules I sent you? I never did get a response but the email didn’t bounce.

    finalgirl@blackqueer.lifeF 1 Reply Last reply
    0
    • potterybyosa@mastodon.socialP potterybyosa@mastodon.social

      @FinalGirl Did you ever receive the rocket kiln diagrams and firing schedules I sent you? I never did get a response but the email didn’t bounce.

      finalgirl@blackqueer.lifeF This user is from outside of this forum
      finalgirl@blackqueer.lifeF This user is from outside of this forum
      finalgirl@blackqueer.life
      wrote on last edited by
      #4

      @potterybyosa I thought I responded to that!! I’m so sorry, I did get them. I thought we talked about it. Apologies.

      1 Reply Last reply
      0
      • weird_willow@pixelfed.socialW This user is from outside of this forum
        weird_willow@pixelfed.socialW This user is from outside of this forum
        weird_willow@pixelfed.social
        wrote on last edited by
        #5
        This is so amazing! I loved the video workshop of yours that I attended last year, and am very interested in wild clay. I love your work so much!
        potterybyosa@mastodon.socialP 1 Reply Last reply
        0
        • potterybyosa@mastodon.socialP potterybyosa@mastodon.social

          I’m making a custom clay body for my upcoming workshop using #WildClay I collected just south of where I live, and combining it with a midrange commercial clay to give it the durability it lacks on its own. The sample on the right was fired to over 2100°F, just under its melting point, and is still fragile and easily broken. The color transformation is lovely, though. I’m excited to give workshop participants a unique opportunity to work with local clay.

          Link Preview ImageLink Preview Image
          potterybyosa@mastodon.socialP This user is from outside of this forum
          potterybyosa@mastodon.socialP This user is from outside of this forum
          potterybyosa@mastodon.social
          wrote last edited by
          #6

          I test fired a small pot made with the wild/commercial clay combo I’m using for my workshop this weekend. I think it’s beautiful. It will give participants the tactile experience of working with our sandy native clays but the resulting piece will live up to our modern expectations of ceramic durability. Also, the fired color is influenced by the nice burgundy hue of wild clay. I fired to cone 3 (2126°F)
          and it seems vitreous at that temperature.

          Link Preview ImageLink Preview Image
          tomjennings@tldr.nettime.orgT lisamakesstuff@mastodon.artL potterybyosa@mastodon.socialP 3 Replies Last reply
          0
          • weird_willow@pixelfed.socialW weird_willow@pixelfed.social
            This is so amazing! I loved the video workshop of yours that I attended last year, and am very interested in wild clay. I love your work so much!
            potterybyosa@mastodon.socialP This user is from outside of this forum
            potterybyosa@mastodon.socialP This user is from outside of this forum
            potterybyosa@mastodon.social
            wrote last edited by
            #7

            @Weird_Willow thank you!

            1 Reply Last reply
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            • potterybyosa@mastodon.socialP potterybyosa@mastodon.social

              I test fired a small pot made with the wild/commercial clay combo I’m using for my workshop this weekend. I think it’s beautiful. It will give participants the tactile experience of working with our sandy native clays but the resulting piece will live up to our modern expectations of ceramic durability. Also, the fired color is influenced by the nice burgundy hue of wild clay. I fired to cone 3 (2126°F)
              and it seems vitreous at that temperature.

              Link Preview ImageLink Preview Image
              tomjennings@tldr.nettime.orgT This user is from outside of this forum
              tomjennings@tldr.nettime.orgT This user is from outside of this forum
              tomjennings@tldr.nettime.org
              wrote last edited by
              #8

              @potterybyosa

              It looks delicious. I want to eat it.

              potterybyosa@mastodon.socialP 1 Reply Last reply
              0
              • tomjennings@tldr.nettime.orgT tomjennings@tldr.nettime.org

                @potterybyosa

                It looks delicious. I want to eat it.

                potterybyosa@mastodon.socialP This user is from outside of this forum
                potterybyosa@mastodon.socialP This user is from outside of this forum
                potterybyosa@mastodon.social
                wrote last edited by
                #9

                @tomjennings it’s giving cake batter. With sand.

                1 Reply Last reply
                0
                • potterybyosa@mastodon.socialP potterybyosa@mastodon.social

                  I test fired a small pot made with the wild/commercial clay combo I’m using for my workshop this weekend. I think it’s beautiful. It will give participants the tactile experience of working with our sandy native clays but the resulting piece will live up to our modern expectations of ceramic durability. Also, the fired color is influenced by the nice burgundy hue of wild clay. I fired to cone 3 (2126°F)
                  and it seems vitreous at that temperature.

                  Link Preview ImageLink Preview Image
                  lisamakesstuff@mastodon.artL This user is from outside of this forum
                  lisamakesstuff@mastodon.artL This user is from outside of this forum
                  lisamakesstuff@mastodon.art
                  wrote last edited by
                  #10

                  @potterybyosa So, quick question for you:

                  Have you collected/used clay from the FL Panhandle? I understand that the Suwanee banks have a nice clay. I'm near the Chipola River.

                  potterybyosa@mastodon.socialP 1 Reply Last reply
                  0
                  • potterybyosa@mastodon.socialP potterybyosa@mastodon.social

                    I test fired a small pot made with the wild/commercial clay combo I’m using for my workshop this weekend. I think it’s beautiful. It will give participants the tactile experience of working with our sandy native clays but the resulting piece will live up to our modern expectations of ceramic durability. Also, the fired color is influenced by the nice burgundy hue of wild clay. I fired to cone 3 (2126°F)
                    and it seems vitreous at that temperature.

                    Link Preview ImageLink Preview Image
                    potterybyosa@mastodon.socialP This user is from outside of this forum
                    potterybyosa@mastodon.socialP This user is from outside of this forum
                    potterybyosa@mastodon.social
                    wrote last edited by
                    #11

                    From today’s clay workshop at Reflections of Manatee house museum in Bradenton. I really love doing these community coil building sessions, especially outdoors. I hope participants left with a deeper sense of connection to this strange, gritty subtropical peninsula of limestone, sand, fossil and shell. #pottery #clay #ceramics

                    Link Preview ImageLink Preview Image
                    potterybyosa@mastodon.socialP 1 Reply Last reply
                    0
                    • lisamakesstuff@mastodon.artL lisamakesstuff@mastodon.art

                      @potterybyosa So, quick question for you:

                      Have you collected/used clay from the FL Panhandle? I understand that the Suwanee banks have a nice clay. I'm near the Chipola River.

                      potterybyosa@mastodon.socialP This user is from outside of this forum
                      potterybyosa@mastodon.socialP This user is from outside of this forum
                      potterybyosa@mastodon.social
                      wrote last edited by
                      #12

                      @lisamakesstuff hmmm… I don’t believe so. Most of the FL clay I have is from central and South FL. The closest to the panhandle I have is from Mobile, AL. There is definitely more and better quality clay up there. Pensacola had a brick factory for a while.

                      1 Reply Last reply
                      0
                      • potterybyosa@mastodon.socialP potterybyosa@mastodon.social

                        From today’s clay workshop at Reflections of Manatee house museum in Bradenton. I really love doing these community coil building sessions, especially outdoors. I hope participants left with a deeper sense of connection to this strange, gritty subtropical peninsula of limestone, sand, fossil and shell. #pottery #clay #ceramics

                        Link Preview ImageLink Preview Image
                        potterybyosa@mastodon.socialP This user is from outside of this forum
                        potterybyosa@mastodon.socialP This user is from outside of this forum
                        potterybyosa@mastodon.social
                        wrote last edited by
                        #13

                        I’m ending the week by using the leftover wild/commercial terracotta mix from last weekend’s workshop to coil build a Nigerian round-bottom pot. I’m going to stop here and let it dry for a bit and then wrap it up in plastic. On Monday, I’ll add the neck. The point is to let the bottom dry enough to be able to support the weight of the neck, but the clay still needs to be damp enough that fresh clay can attach to it without cracking. Timing is everything when working with #clay.

                        Link Preview Image
                        sibylle@troet.cafeS 1 Reply Last reply
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                        • R relay@relay.infosec.exchange shared this topic
                        • potterybyosa@mastodon.socialP potterybyosa@mastodon.social

                          I’m ending the week by using the leftover wild/commercial terracotta mix from last weekend’s workshop to coil build a Nigerian round-bottom pot. I’m going to stop here and let it dry for a bit and then wrap it up in plastic. On Monday, I’ll add the neck. The point is to let the bottom dry enough to be able to support the weight of the neck, but the clay still needs to be damp enough that fresh clay can attach to it without cracking. Timing is everything when working with #clay.

                          Link Preview Image
                          sibylle@troet.cafeS This user is from outside of this forum
                          sibylle@troet.cafeS This user is from outside of this forum
                          sibylle@troet.cafe
                          wrote last edited by
                          #14

                          @potterybyosa you just explained something I always struggeled with, when I tried to make little vessels.

                          Good to know.

                          potterybyosa@mastodon.socialP 1 Reply Last reply
                          0
                          • sibylle@troet.cafeS sibylle@troet.cafe

                            @potterybyosa you just explained something I always struggeled with, when I tried to make little vessels.

                            Good to know.

                            potterybyosa@mastodon.socialP This user is from outside of this forum
                            potterybyosa@mastodon.socialP This user is from outside of this forum
                            potterybyosa@mastodon.social
                            wrote last edited by
                            #15

                            @sibylle A lot of ppl who learn in the two-hour weekly class timeframe at most community studios struggle with this kind of thing bc it’s hard to control moisture and catch your pot at the exact right moment if you’re only there once a week. Idk if that’s your situation.

                            1 Reply Last reply
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