Chet Atkins Picks on the Beatles (RCA Victor LPM-3531, 1966).
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Beastie Boys: Love American Style EP (Grand Royal GR064, 1998).
Bought this reissue from grandroyal.com (r.i.p.) back in the day. The two instrumental b-sides are where it’s at in all their Matt Dike + Dust Brothers glory.
Beastie Boys: Paul’s Boutique (Grand Royal GR065, 1998).
The ridiculous 8-panel gatefold, reissued by Grand Royal in 1998. I was the typical “Fight For Your Right” teenage fan who missed Paul’s until college. Looking back, I was less than two years late but it seemed like a lost classic in 1991. One of my all-time favorite albums.
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Beastie Boys: Paul’s Boutique (Grand Royal GR065, 1998).
The ridiculous 8-panel gatefold, reissued by Grand Royal in 1998. I was the typical “Fight For Your Right” teenage fan who missed Paul’s until college. Looking back, I was less than two years late but it seemed like a lost classic in 1991. One of my all-time favorite albums.
Beastie Boys: Get It Together 12” (Capitol 7243 8 58185 6 1, 1994).
Contains four remixes of the only Beasties song containing the n-word (via Q-Tip, but I wonder if they wished he wouldn’t have…), two album versions and two unique b-sides (“Resolution Time” and “Dope Little Song”).
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Beastie Boys: Get It Together 12” (Capitol 7243 8 58185 6 1, 1994).
Contains four remixes of the only Beasties song containing the n-word (via Q-Tip, but I wonder if they wished he wouldn’t have…), two album versions and two unique b-sides (“Resolution Time” and “Dope Little Song”).
Beastie Boys: Root Down EP (Grand Royal GR018, 1995).
Contains the album version, two remixes, and seven sloppy live recordings. Listening to Beasties vinyl reminds me how fun the 90s were. Or maybe, more realistically, how fun my 20s were…at least with the added fuzziness of nostalgia.
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Beastie Boys: Root Down EP (Grand Royal GR018, 1995).
Contains the album version, two remixes, and seven sloppy live recordings. Listening to Beasties vinyl reminds me how fun the 90s were. Or maybe, more realistically, how fun my 20s were…at least with the added fuzziness of nostalgia.
Beastie Boys: The In Sound From Way Out! (Grand Royal GR013, 1998).
Mostly pointless compilation of instrumentals from the Check Your Head/Ill Communication era. I guess it’s cool to be able to hear a bunch of Money Mark Nishita’s keys in one spot.
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Beastie Boys: The In Sound From Way Out! (Grand Royal GR013, 1998).
Mostly pointless compilation of instrumentals from the Check Your Head/Ill Communication era. I guess it’s cool to be able to hear a bunch of Money Mark Nishita’s keys in one spot.
Beastie Boys: Intergalactic (Capitol Y 7243 8 58705 1 4, 1998).
This is the last of my Beasties vinyl. (I also have this 45 in my jukebox but that’s another story.) Making me realize I should probably trade all the goofy singles and stuff for a copy of Licensed to Ill or Check Your Head.
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Beastie Boys: Intergalactic (Capitol Y 7243 8 58705 1 4, 1998).
This is the last of my Beasties vinyl. (I also have this 45 in my jukebox but that’s another story.) Making me realize I should probably trade all the goofy singles and stuff for a copy of Licensed to Ill or Check Your Head.
Beastie Boys: Body Movin’ (Grand Royal GR069, 1999).
Oops one more. Forgot about this dumb white label with remixes by Mickey Finn & Special K for Urban Takeover. Silly.
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Beastie Boys: Body Movin’ (Grand Royal GR069, 1999).
Oops one more. Forgot about this dumb white label with remixes by Mickey Finn & Special K for Urban Takeover. Silly.
Michael Nesmith: And the Hits Just Keep On Comin’ (RCA LSP-4695, 1972).
Breaking out of alphabetical order for something I just picked up.* Classic Nez with Red Rhodes on pedal steel. Includes his only studio recording of “Different Drum,” recorded eight years after he wrote it.
* I had this one before the Great Purge of 2005 but I should’ve kept it.
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Michael Nesmith: And the Hits Just Keep On Comin’ (RCA LSP-4695, 1972).
Breaking out of alphabetical order for something I just picked up.* Classic Nez with Red Rhodes on pedal steel. Includes his only studio recording of “Different Drum,” recorded eight years after he wrote it.
* I had this one before the Great Purge of 2005 but I should’ve kept it.
Bermuda Strollers 73 (Edmar ELPS-1122, 1973).
In Jonathan Richman’s “Monologue About Bermuda” he says the Modern Lovers’ trip to the island signaled the end of the band because he was getting more excited by what the local guys like these guys were doing. Features “Bang Bang Lulu.”
#MyVinylSolution #JonathanRichman
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Bermuda Strollers 73 (Edmar ELPS-1122, 1973).
In Jonathan Richman’s “Monologue About Bermuda” he says the Modern Lovers’ trip to the island signaled the end of the band because he was getting more excited by what the local guys like these guys were doing. Features “Bang Bang Lulu.”
#MyVinylSolution #JonathanRichman
B-Boy Breaks: 12 Original Tunes as Sampled by the Beastie Boys (Bootleg BBB001, 1995).
A fun collection from a time when there used to be things that were hard to find. Just checked and everything on it is available for streaming except Curtis Knight’s “Happy Birthday” (listed here as “Gotta Have It” by Jimi Hendrix).
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B-Boy Breaks: 12 Original Tunes as Sampled by the Beastie Boys (Bootleg BBB001, 1995).
A fun collection from a time when there used to be things that were hard to find. Just checked and everything on it is available for streaming except Curtis Knight’s “Happy Birthday” (listed here as “Gotta Have It” by Jimi Hendrix).
Meet the Beatles (Capitol ST 2047, 1976 reissue).
Picked this up at the estate sale of my neighbor who was a great guy (R.I.P.). You have to be a real grump not to love Dave Dexter’s U.S. stereo mixes. They sound so fun and exciting! They’re not right but they’re good!
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Meet the Beatles (Capitol ST 2047, 1976 reissue).
Picked this up at the estate sale of my neighbor who was a great guy (R.I.P.). You have to be a real grump not to love Dave Dexter’s U.S. stereo mixes. They sound so fun and exciting! They’re not right but they’re good!
@gloriousnoise his name is Dexter but his mixes aren't right? odd
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Meet the Beatles (Capitol ST 2047, 1976 reissue).
Picked this up at the estate sale of my neighbor who was a great guy (R.I.P.). You have to be a real grump not to love Dave Dexter’s U.S. stereo mixes. They sound so fun and exciting! They’re not right but they’re good!
The Beatles: Something New (Capitol ST 2108, 1978 reissue).
Another one from my neighbor’s estate sale. Americans called this the “third album” and it’s made up of fairly deep cuts (b-sides, EP tracks, etc.). John’s vocals on “Slow Down” rip.
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The Beatles: Something New (Capitol ST 2108, 1978 reissue).
Another one from my neighbor’s estate sale. Americans called this the “third album” and it’s made up of fairly deep cuts (b-sides, EP tracks, etc.). John’s vocals on “Slow Down” rip.
@gloriousnoise This album (bought the week it was originally released in Milwaukee) was part of my parents’ very small collection that came my way after they got rid of their record player. Unfortunately, it looks and sounds like it belonged to a besotted teenager.
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@gloriousnoise This album (bought the week it was originally released in Milwaukee) was part of my parents’ very small collection that came my way after they got rid of their record player. Unfortunately, it looks and sounds like it belonged to a besotted teenager.
@wobs Yeah I’ve owned dollar-bin copies of Beatles albums that had bites taken out of them.
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The Beatles: Something New (Capitol ST 2108, 1978 reissue).
Another one from my neighbor’s estate sale. Americans called this the “third album” and it’s made up of fairly deep cuts (b-sides, EP tracks, etc.). John’s vocals on “Slow Down” rip.
The Beatles: The Beatles (Apple SMO 2051/52, 1978 French release on white vinyl).
Disques en pâte blanche! Tirage limité. Got this in high school as a gift from an older guy who had an inappropriate crush on my girlfriend. The white vinyl was the coolest thing I’d ever seen in 1988. Not sure I ever actually played it before today. Sounds ok, a little noisy.
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The Beatles: The Beatles (Apple SMO 2051/52, 1978 French release on white vinyl).
Disques en pâte blanche! Tirage limité. Got this in high school as a gift from an older guy who had an inappropriate crush on my girlfriend. The white vinyl was the coolest thing I’d ever seen in 1988. Not sure I ever actually played it before today. Sounds ok, a little noisy.
The Beatles: 20 X 4 (Trade Mark of Quality).
Think I got this dumb boot at a record fair back in the early 90s. The only good things on it are two Paul songs with Donovan from the Post Card sessions: “Blackbird” and the unreleased “Heather.” The liner notes are comically inaccurate and it contains two songs absolutely *not* by any Beatles.
This version is not listed on Discogs.
#MyVinylSolution #vinyl #records #beatles
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The Beatles: 20 X 4 (Trade Mark of Quality).
Think I got this dumb boot at a record fair back in the early 90s. The only good things on it are two Paul songs with Donovan from the Post Card sessions: “Blackbird” and the unreleased “Heather.” The liner notes are comically inaccurate and it contains two songs absolutely *not* by any Beatles.
This version is not listed on Discogs.
#MyVinylSolution #vinyl #records #beatles
@gloriousnoise Fascinating!
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The Beatles: 20 X 4 (Trade Mark of Quality).
Think I got this dumb boot at a record fair back in the early 90s. The only good things on it are two Paul songs with Donovan from the Post Card sessions: “Blackbird” and the unreleased “Heather.” The liner notes are comically inaccurate and it contains two songs absolutely *not* by any Beatles.
This version is not listed on Discogs.
#MyVinylSolution #vinyl #records #beatles
Belle and Sebastian: Girls in Peacetime Want to Dance (Matador OLE-1056-1, 2015).
This is the only B&S I have on vinyl and it’s not even in my top-six B&S albums. I love “The Party Line” though. Oops I played side 3 first. Listening today, it’s better than I remember. Records encourage you to listen to music as sequenced by the artist, which is good.
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Belle and Sebastian: Girls in Peacetime Want to Dance (Matador OLE-1056-1, 2015).
This is the only B&S I have on vinyl and it’s not even in my top-six B&S albums. I love “The Party Line” though. Oops I played side 3 first. Listening today, it’s better than I remember. Records encourage you to listen to music as sequenced by the artist, which is good.
Big Star: Radio City (Ardent ADD-1501, 2011 reissue).
The eternal #vinyl question: Does this sound crappy because it’s a lousy pressing…or is it my gear? I can imagine there are good versions of this out there that don’t sound sibilant and shrill, but not this one. I like the back cover photo taken at TGI Friday’s though. And the songs, of course, are perfect.
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Big Star: Radio City (Ardent ADD-1501, 2011 reissue).
The eternal #vinyl question: Does this sound crappy because it’s a lousy pressing…or is it my gear? I can imagine there are good versions of this out there that don’t sound sibilant and shrill, but not this one. I like the back cover photo taken at TGI Friday’s though. And the songs, of course, are perfect.
@gloriousnoise I have this same pressing and it's way less shrill than my pressing of #1 Record (2014 4 Men With Beards 180g) with a high end that will absolutely cut glass at high volume.
