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    kaiser_franz@infosec.exchangeK
    This sounds great. The music itself, the drums, the instrumentation that somehow almost sounds like a big band despite being a quintet…apparently there are other instruments added in although the jacket doesn’t list instrumentation. I know Nat Adderley is on cornet. So glad I took a chance on this.#CannonballAdderley - Accent on Africa (1967)https://album.link/t/74647555#Vinyl #RecordCollecting #NowSpinning #Jazz
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    allenmichie@jazztodon.comA
    Here's my latest for the Arts Fuse: a review of Andrea Motis' album "Intimate.""To her credit, Motis expands her repertoire to include French chanson, folk songs, and bossa novas in addition to standards. She sings in English, Spanish, Catalan, French, and Portuguese. The tracks are all compact and to the point, and solos, when there are any, are brief. I would have liked to hear her stretch out on more tracks like 'De mica en mica,' where Motis sings quietly close to that excellent microphone, like it’s right in your ear, and gets deep into the romantic song with drama and feeling."#jazz #andreamotishttps://artsfuse.org/324790/march-short-fuses-materia-critica-6/
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    improviz@jazztodon.comI
    I review the James P. Johnson bio: #jazz #stridepiano #pianohttps://syncopatedtimes.com/speakeasies-to-symphonies-the-genius-of-james-p-johnson/
  • Jazztodon artist of the week: Charles Lloyd!

    Uncategorized jazz charleslloyd
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    waystation@sunny.gardenW
    @allenmichie Charles Lloyd is one of those jazz masters that has been around that I am not that familiar with. I only have one of his albums, The Sky Will Be There Tomorrow. His rendition of Lift Every Voice and Sing is brilliant.