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CIRCLE WITH A DOT

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  3. My new album QUERN is up for pre-order today!

My new album QUERN is up for pre-order today!

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releasemechanicaltechntechnotapemusic
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  • grahamdunning@post.lurk.orgG This user is from outside of this forum
    grahamdunning@post.lurk.orgG This user is from outside of this forum
    grahamdunning@post.lurk.org
    wrote last edited by
    #1

    My new album QUERN is up for pre-order today! Listen to a track off it now, Tentacle Motion Study.
    Order on cassette and download from Jollies in Brooklyn. 12 tracks of mechanical techno made throughout my PhD, four of which are discussed in a chapter.
    #release #MechanicalTechno #techno #tape #music #cassette

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    Quern, by Graham Dunning

    Quern by Graham Dunning, releases 02 April 2026 1. Suboptimal Beats 2. Chronic Data Poisoning 3. Wandering Nerve 4. Tentacle Motion Study 5. Flatness 6. Perpetuum Mobile 7. Graveturner 8. Soil Robot 9. Grabber Arm Part 1 (Hydraulic) 10. Grabber Arm Part 2 (Legacy Hand) 11. Alone in a Moving Cuboid 12. Discoid Rotary Quern Graham Dunning’s forthcoming album on Jollies Records documents the latest evolution of his Mechanical Techno system: a hand-built network of modified turntables, physical mechanisms, and chance processes that has formed the focus of his practice-research based PhD project over the past three years. Every track on the record is composed and performed entirely through this system, capturing dance music shaped by friction, instability, and human intervention. Traversing techno, filter house, and acid, the album folds in traces of footwork, instrumental hip-hop, and UK garage, animated by a distinctly wonky machine mischief. Rhythms stumble, hi-hats slip into odd meters, monosynths growl, and record crackle becomes rhythmic material rather than artifact. The mechanical imperfections giving each track a handmade, continually shifting feel; all the while humanizing the equipment. Each track employs a specific mechanical strategy: from beats formed from odd-toothed cogs, ball bearings triggering evolving MIDI sequences, ping-pong ball rhythms,mechanically played percussion with manually synchronized turntables, among other arrangements. There are no neat drops or euphoric builds here. Structures bend and re-form as sounds unfold through a choreography of manual gestures. The album captures dance music in a state of productive imbalance, where machines are not tools for precision, but collaborators in uncertainty.

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    Graham Dunning (grahamdunning.bandcamp.com)

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