<![CDATA["What if our elected leaders could witness the beauty and the miraculous things that can be found when people don't come in with a preformed agenda, but come into a situation really wanting to listen and to find something unexpected?"]]>

<![CDATA["What if our elected leaders could witness the beauty and the miraculous things that can be found when people don't come in with a preformed agenda, but come into a situation really wanting to listen and to find something unexpected?"]]>"What if our elected leaders could witness the beauty and the miraculous things that can be found when people don't come in with a preformed agenda, but come into a situation really wanting to listen and to find something unexpected?"

Maria Schneider discusses 'American Crow,' the Rolf Schock Prize, her collaboration with David Bowie, and her conviction that the jazz ensemble's practice of listening without a fixed agenda remains democracy's most accurate blueprint. The Tonearm's Lawrence Peryer heeds the call.

The Sound of Not Listening — Maria Schneider's 'American Crow':

Maria Schneider and the Sound of Not Listening

Maria Schneider discusses 'American Crow,' the Rolf Schock Prize, her Bowie collaboration, and why jazz offers democracy its most honest model.

The Tonearm (www.thetonearm.com)

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